"Save the Next Boy" by Carter Burwell was released on 2008. With Save the Next Boy being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "In Bruges (Original Motion Picture Soundtrack)" album is number 9 out of 24. Save the Next Boy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Save the Next Boy by Carter Burwell to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Last Ride Back to KC | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 60 BPM | ||
That's A Nice Day | Nick Glennie-Smith | F Minor | 2 | 4A | 87 BPM | ||
A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
The Game's Afoot | Nathan Johnson | D Minor | 1 | 7A | 73 BPM | ||
Pocahontas And Smith | James Horner | G Major | 0 | 9B | 62 BPM | ||
There Is A Place | Abel Korzeniowski | A Minor | 1 | 8A | 62 BPM | ||
Be True | Abel Korzeniowski | B♭ Minor | 2 | 3A | 136 BPM | ||
Closing Credits | James Horner | D Minor | 0 | 7A | 65 BPM | ||
The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM |
Section: 0.42829465866088867
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