"Serenade, E-Major, op. 22: V. Finale, Allegro vivace" by Stuttgart Chamber Orchestra, Martin Sieghart was released on 1991. Serenade, E-Major, op. 22: V. Finale, Allegro vivace is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Stuttgart Chamber Orchestra, Vienna Radio Symphony Orchestra's "Music For The Millions Vol. 35 - Antonin Dvorak" album is number 5 out of 9. Serenade, E-Major, op. 22: V. Finale, Allegro vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade, E-Major, op. 22: V. Finale, Allegro vivace by Stuttgart Chamber Orchestra, Martin Sieghart to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wer nun den lieben Gott lässt walten, MWV A 7: III. Er kennt die rechten Freudenstunden | Felix Mendelssohn, Sabine Ritterbusch, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 111 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102 (Version for Piano Duet): II. Andante | Dmitri Shostakovich, Min Kyung Kim, Hyung Jin Moon | C Minor | 0 | 5A | 179 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
Section: 0.5861780643463135
End: 0.5904967784881592