Robert Johnson, Fred Jacobs's 'Almayne I (The Prince's Almayne)' came out on January 1, 2009. With Almayne I (The Prince's Almayne) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of With Endless Tears by Johannette Zomer, Fred Jacobs. The song's track number on the album is #7 out of 29 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Almayne I (The Prince's Almayne)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Almayne I (The Prince's Almayne) by Robert Johnson, Fred Jacobs has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Almayne I (The Prince's Almayne) being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM | ||
Sancta Trinitas | Antoine de Févin, Paolo Cherici | E Major | 1 | 12B | 132 BPM | ||
The Fairy Masque | Robert Johnson, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 70 BPM | ||
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Welscher Tantz Wascha mesa - Hupfauff | Hans Neusidler, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | C Major | 3 | 8B | 86 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM |
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