"Dido and Aeneas, Z. 626: Act III: Chorus: Great minds against themselves conspire" by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble was released on May 14, 1997. With Dido and Aeneas, Z. 626: Act III: Chorus: Great minds against themselves conspire being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #38. The popularity of Dido and Aeneas, Z. 626: Act III: Chorus: Great minds against themselves conspire is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626: Act III: Chorus: Great minds against themselves conspire by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Theodora, HWV 68, Act 1: "As With Rosy Steps the Morn" (Irene) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | F Major | 1 | 7B | 93 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Music For A While | Henry Purcell, Nath. Lee, John Dryden, Voci Nobili, Maria Gamborg Helbekkmo | C Major | 2 | 8B | 78 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 4, Lachtder Leuchte der Gerechten taumelt nur in babels nachten | Georg Philipp Telemann, Bergen Barokk | F Major | 2 | 7B | 116 BPM | ||
Gloria in D Major, RV 589: No. 8, Domine Deus, Agnus Dei | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 177 BPM |
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