Jean-Patrick Capdevielle made "Tout au bout de la ville - A capella" available on January 11, 1979. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Patrick Capdevielle's "Les enfants des ténèbres et les anges de la rue" album is number 5 out of 9. Based on our statistics, Tout au bout de la ville - A capella's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Tout au bout de la ville - A capella by Jean-Patrick Capdevielle to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les mots bleus | Christophe | B Major | 7 | 1B | 138 BPM | ||
Aurore | Pierre Rapsat | B Minor | 7 | 10A | 144 BPM | ||
Mais l'aventure | Pierre Bachelet | C Minor | 3 | 5A | 77 BPM | ||
On laisse tous un jour | Michel Fugain | E Major | 6 | 12B | 120 BPM | ||
Les loups sont entrés dans Paris | Serge Reggiani | D♭ Minor | 4 | 12A | 132 BPM | ||
Fontenay-aux-Roses | Maxime Le Forestier | G Major | 1 | 9B | 123 BPM | ||
La mer n'a pas cessé de descendre - Remasterisé en 2016 | Manset | E Minor | 5 | 9A | 123 BPM | ||
Pas D'Ami (Comme Toi) - Edit | Stephan Eicher | A Major | 7 | 11B | 122 BPM | ||
1980 | Pierre Rapsat | F Major | 8 | 7B | 125 BPM | ||
Diabolo menthe (Version 1979) | Yves Simon | A♭ Major | 5 | 4B | 107 BPM |
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