"WAIT of the WORLD: 1. And Now the Children Lead" by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy was released on January 1, 1997. WAIT of the WORLD: 1. And Now the Children Lead is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 12 in the song's album "STORMWORKS Chapter 3: Wait of the World". In this album, this song's track order is #10. Based on our statistics, WAIT of the WORLD: 1. And Now the Children Lead's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With WAIT of the WORLD: 1. And Now the Children Lead by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Journey through the Stratosphere | Rossano Galante, Ad Hoc Wind Orchestra | E♭ Major | 3 | 5B | 82 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 1 | 6B | 137 BPM | ||
THREE MUSICAL HAIKUS: #16: The Truth About Pirates | Stephen Melillo, Stephen Melillo/Rundfunk Blasorchester Leipzig | E♭ Major | 1 | 5B | 123 BPM | ||
Elegy of the Phantom Seas | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Marine (Closing) | George Fenton | A Minor | 1 | 8A | 82 BPM | ||
Concerto For Alto Saxophone Pt. 3 | Ronald Binge, Polizeimusikkorps Baden-Württemberg, Toni Scholl | D♭ Major | 2 | 3B | 146 BPM | ||
Mystic Raga Serenity | Sanseti Sabaru | G Minor | 0 | 6A | 149 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM |
Section: 0.9465258121490479
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