"La vestale, Act III: Récit. Cinna, que fait l’armée ?" by Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. With La vestale, Act III: Récit. Cinna, que fait l’armée ? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. La vestale, Act III: Récit. Cinna, que fait l’armée ? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act III: Récit. Cinna, que fait l’armée ? by Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale: Quel guardo il cavaliere | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 95 BPM | ||
Puccini: La Bohème, Act 3: "D'onde lieta usci" (Mimi) | Giacomo Puccini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
Don Pasquale, Act I: Quel guardo il cavaliere | Ava Dodd, Gaetano Donizetti, RTÉ Concert Orchestra, Andrew Synnott | A♭ Major | 2 | 4B | 87 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 138 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
Teseo riconosciuto, Act II: Di Cecrope il soglio (Live) | Gaspare Spontini, Carlo Allemano, Sonia Visentin, Stefano Rinaldi-Miliani, Carlo Bosi, Diego D'Auria, Coro Lirico Marchigiano 'V. Bellini', Orchestra Filarmonica Marchigiana, Alberto Zedda | F Major | 1 | 7B | 111 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM |
Section: 0.6468029022216797
End: 0.6511192321777344