Robert Schumann, Anne-Sophie Mutter, New York Philharmonic, Kurt Masur's 'Fantasy for Violin and Orchestra in C Major, Op. 131: Moderato semplice ma espressivo (Transcr. By Fritz Kreisler) - Live' came out on June 7, 2021. Fantasy for Violin and Orchestra in C Major, Op. 131: Moderato semplice ma espressivo (Transcr. By Fritz Kreisler) - Live appears to be safe for all ages as it is not explicit. There are a total of 79 in the song's album "Schumann - Great Recordings". In this album, this song's track order is #31. Based on our statistics, Fantasy for Violin and Orchestra in C Major, Op. 131: Moderato semplice ma espressivo (Transcr. By Fritz Kreisler) - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasy for Violin and Orchestra in C Major, Op. 131: Moderato semplice ma espressivo (Transcr. By Fritz Kreisler) - Live by Robert Schumann, Anne-Sophie Mutter, New York Philharmonic, Kurt Masur having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 21 in G Minor, Op. 53, No. 3 | Felix Mendelssohn, Péter Nagy | G Minor | 1 | 6A | 91 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | A Major | 3 | 11B | 152 BPM | ||
Violin Sonata in F Major, MWV Q26: III. Assai vivace | Felix Mendelssohn, Anne-Sophie Mutter, André Previn | F Major | 2 | 7B | 154 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | E Minor | 3 | 9A | 64 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM |
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