"Chausson : Poème de l'amour et de la mer Op.19 : III La mort de l'amour" by Ernest Chausson, Jessye Norman, Armin Jordan, Francoise Garcin, Monte-Carlo Philharmonic Orchestra was released on 1983. Chausson : Poème de l'amour et de la mer Op.19 : III La mort de l'amour appears to be safe for all ages as it is not explicit. The song is number 3 out of 9 in Chausson: Poème de l'amour et de la mer; Chanson perpétuelle; Mélodies - Apex by Jessye Norman, Armin Jordan, Monte-Carlo Philharmonic Orchestra. Chausson : Poème de l'amour et de la mer Op.19 : III La mort de l'amour is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chausson : Poème de l'amour et de la mer Op.19 : III La mort de l'amour by Ernest Chausson, Jessye Norman, Armin Jordan, Francoise Garcin, Monte-Carlo Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie, Op. 30 | Henri Vieuxtemps, Timothy Ridout, Ke Ma | F Minor | 1 | 4A | 76 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | F Minor | 1 | 4A | 81 BPM | ||
String Sextet in D Minor (unfinished): II. Andante | Alexander Borodin, Nash Ensemble | G Major | 0 | 9B | 84 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM |
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