"Symphony No. 4 in B Flat, Op.60: III. Allegro vivace - Trio (Un poco meno allegro)" by Concertgebouworkest, Wolfgang Sawallisch was released on 1992. Symphony No. 4 in B Flat, Op.60: III. Allegro vivace - Trio (Un poco meno allegro) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 3 out of 17 in Beethoven: Symphonies Nos. 4 & 7, 5 & 6 by Wolfgang Sawallisch. Based on our statistics, Symphony No. 4 in B Flat, Op.60: III. Allegro vivace - Trio (Un poco meno allegro)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in B Flat, Op.60: III. Allegro vivace - Trio (Un poco meno allegro) by Concertgebouworkest, Wolfgang Sawallisch is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 In D / Second Movement: Tempo III - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Leonard Bernstein | D♭ Major | 1 | 3B | 143 BPM | ||
Symphony No.2 in E minor, Op.27: 3. Adagio - Excerpt | Sergei Rachmaninoff, Concertgebouworkest, Vladimir Ashkenazy | A Major | 1 | 11B | 86 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. Spiritoso | Joseph Haydn, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | A Major | 2 | 11B | 138 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Intrada - Adagio (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 1 | 6B | 79 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM |
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