"Der Corregidor (Highlights): Guten morgen, liebe leute" by Hugo Wolf, Marta Fuchs, Margarete Teschemacher, Karl Erb, Josef Hermann, Kurt Böhme, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Karl Elmendorff was released on March 2, 2018. With Der Corregidor (Highlights): Guten morgen, liebe leute being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 68 in Chorszenen und Konzertchöre in Rundfunkaufnahmen ab 1938 by Various Artists, Karl Böhm, Kurt Striegler, Karl Elmendorff, Joseph Keilberth, Ernst Richter, Rudolf Kempe, Rudolf Neuhaus, Heinz Rögner, Hans Zimmer, Hans Vonk, Fabio Luisi, Constantin Trinks, Herbert Blomstedt, Giuseppe Sinopoli, Bernard Haitink, Sir Colin Davis, Myung-Whun Chung, Christian Thielemann. In terms of popularity, Der Corregidor (Highlights): Guten morgen, liebe leute is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Corregidor (Highlights): Guten morgen, liebe leute by Hugo Wolf, Marta Fuchs, Margarete Teschemacher, Karl Erb, Josef Hermann, Kurt Böhme, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Karl Elmendorff is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM | ||
Myrthen, Op. 25: No. 9. Lied der Suleika | Robert Schumann, Margaret Price, James Lockhart | F♯ Minor | 3 | 11A | 95 BPM | ||
Ich sehe dich in tausend Bildern, Op.105, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | F♯ Minor | 0 | 11A | 72 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": VII. Chor: Die Nacht ist vergangen | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
5 Lieder: No. 5. Ich wandle unter Blumen | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | F Minor | 2 | 4A | 109 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Chausson: Les papillons, Op. 2, No. 3 | Ernest Chausson, Susan Graham, Malcolm Martineau | G Major | 1 | 9B | 78 BPM |
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