Olaf Bär, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen made "La gara degli dei: No. 7, "Di mia mano in dì sì lieto"" available on April 26, 2013. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 12 out of 27. In terms of popularity, La gara degli dei: No. 7, "Di mia mano in dì sì lieto" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La gara degli dei: No. 7, "Di mia mano in dì sì lieto" by Olaf Bär, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | ||
Capriccio, Op. 85 - 9. Szene: Fuge - "Tanz und Musik stehn im Bann des Rhythmus" | Richard Strauss, Uwe Heilmann, Olaf Bär, Victor von Halem, Håkan Hagegård, Kiri Te Kanawa, Brigitte Fassbaender, Wiener Philharmoniker, Ulf Schirmer | A♭ Major | 2 | 4B | 89 BPM | ||
Grande Messe des Morts: X. Sequentia: Quid sum miser - Lento | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 0 | 7B | 75 BPM | ||
Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | ||
Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | ||
Requiem: Requiem: 6. Terzetto (S, A, B). Rex tremendae | Johann Christian Bach, Lenneke Ruiten, Ruth Sandhoff, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 2 | 5B | 97 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Hab acht, Tristan! Botschaft von Isolde" (Kurwenal, Tristan, Brangäne, Männer) | Richard Wagner, Plácido Domingo, Mihoko Fujimura, Olaf Bär, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Antonio Pappano | C Major | 1 | 8B | 83 BPM | ||
Grande Messe des Morts: VIII. Sequentia: Tuba mirum: Grave - Allegretto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 2 | 6B | 84 BPM | ||
Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 2 | 7A | 136 BPM |
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