"The Haunted Ballroom: Concert Waltz: The Haunted Ballroom" by Geoffrey Toye, RTE Concert Orchestra, Ernest Tomlinson was released on December 7, 1994. Since The Haunted Ballroom: Concert Waltz: The Haunted Ballroom is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in RTE Concert Orchestra's "Miniatures (British Light Music)" album is number 15 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, The Haunted Ballroom: Concert Waltz: The Haunted Ballroom's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Haunted Ballroom: Concert Waltz: The Haunted Ballroom by Geoffrey Toye, RTE Concert Orchestra, Ernest Tomlinson to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballad of the Sea | Joe Reisman, Walter Landauer, Rawicz & Landauer, Robert Farnon | F Major | 3 | 7B | 76 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Suite for String Orchestra, JW6 No. 2: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 93 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
Chubby Uncle likes elephants | Chubby Uncle | F Major | 5 | 7B | 119 BPM | ||
Le canon, les animas (frontière Bolivie-Chili) | Georges Garvarentz, Raymond Lefèvre | F♯ Major | 1 | 2B | 79 BPM | ||
Love for a Goddess | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Angelica E Tancredi | Nino Rota | D♭ Major | 2 | 3B | 81 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM |
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