Domenico Zipoli, Gerald Gifford made "Canzona No. 5 in G Minor" available on 1998. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Gifford's "His Lordship's Delight - Georgian Music for Harpsichord and Organ" album is number 15 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Canzona No. 5 in G Minor is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Canzona No. 5 in G Minor by Domenico Zipoli, Gerald Gifford to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Overture | Henry Purcell, Orchestra of the Age of Enlightenment, René Jacobs | B Minor | 2 | 10A | 94 BPM | ||
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
Canzona in D minor (Clavier) | Domenico Zipoli, Jovial Classics | D♭ Major | 2 | 3B | 73 BPM | ||
Ohimè dove il mio ben, SV 140 (Part 1) | Claudio Monteverdi, Sonia Wieder-Atherton | G Minor | 1 | 6A | 85 BPM | ||
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | ||
Sonata No. 1 in F Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | E Minor | 3 | 9A | 68 BPM | ||
Concerto In A Minor, RV 356: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | G Minor | 0 | 6A | 68 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Concerto grosso No. 2 in B-Flat Major, Op. 3, HWV 313: II. Largo | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 130 BPM |
Section: 0.5968103408813477
End: 0.6015043258666992