Tommy Daugherty made "Oh Happy Day (映画「天使にラブ・ソングを II」より) Cover" available on December 1, 2018. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ヒットソング カヴァーズ Vol.16 ~天使にラブソングを, so we believe that "Oh Happy Day (映画「天使にラブ・ソングを II」より) Cover" is a single. Based on our statistics, Oh Happy Day (映画「天使にラブ・ソングを II」より) Cover's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Oh Happy Day (映画「天使にラブ・ソングを II」より) Cover by Tommy Daugherty is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Teach Me to Wait | Rev. F.C. Barnes | C Major | 7 | 8B | 106 BPM | ||
Will I Ever | Jay Robinson, Penny & The Quarters | F♯ Major | 2 | 2B | 103 BPM | ||
Too Many Rivers to Cross - 2000 Remaster | Percy Sledge | F Major | 4 | 7B | 129 BPM | ||
I Dreamed of a City Called Heaven | Brook Benton | F Major | 3 | 7B | 97 BPM | ||
Take Me Back | Andrae Crouch | D♭ Major | 5 | 3B | 128 BPM | ||
Why Must Our Eyes Always Be Turned Backwards | Lou Bond | B Major | 7 | 1B | 124 BPM | ||
Peter & John | Andrew Wartts And The Gospel Storytellers | B♭ Minor | 5 | 3A | 92 BPM | ||
Halfway to Paradise | Johnny Nash | F Major | 5 | 7B | 126 BPM | ||
A Woman Left Lonely | Rita Coolidge | C Minor | 2 | 5A | 129 BPM | ||
How Sweet It Would Be | Luther Ingram | F Major | 6 | 7B | 139 BPM |
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