"Sounds, Sketches, and Ideas: I. Daybreak" by Roger Cichy, University of Texas at El Paso Symphonic Winds, Ron Hufstader was released on July 5, 2011. The duration of Sounds, Sketches, and Ideas: I. Daybreak is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Sounds, Sketches, and Ideas: I. Daybreak's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 11 in Cichy: Sounds, Sketches and Ideas by Roger Cichy, Ron Hufstader. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sounds, Sketches, and Ideas: I. Daybreak's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sounds, Sketches, and Ideas: I. Daybreak by Roger Cichy, University of Texas at El Paso Symphonic Winds, Ron Hufstader is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finale from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | F Major | 2 | 7B | 119 BPM | ||
Dance No. I from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | B♭ Major | 2 | 6B | 82 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM | ||
Third Suite, III: Rondo - Robert E. Jager | Robert Jager, Tivoligarden, Svend Kragelund | G Minor | 4 | 6A | 130 BPM | ||
Armenian Dances: Part II: III. Lorva Horovel | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | B♭ Minor | 2 | 3A | 77 BPM | ||
Blind Spot | Gilles Rocha, Steven Mead, Brighouse And Rastrick Brass Band, David Thornton | D♭ Major | 1 | 3B | 70 BPM | ||
Flight of the Piasa | Robert Sheldon, Coastal Communities Concert Band, Tom Cole | E♭ Major | 2 | 5B | 135 BPM | ||
Bugs: III. Praying Mantis | Roger Cichy, Drake University Wind Symphony, Robert Meunier | C Major | 0 | 8B | 72 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | D Major | 0 | 10B | 123 BPM |
Section: 0.56947922706604
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