Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr made "Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Allegro" available on October 16, 2001. With Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 32 in Baroque Trumpet (The Art Of The), Vol. 5 by Wasa Baroque Ensemble, Edward H. Tarr. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Allegro by Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Alla tromba della Fama | Baldassare Galuppi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 102 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Concerto for 2 Trumpets in C Major, RV 537: III. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 137 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Sinfonia No. 1 in C Major: II. Allegro | Alessandro Stradella, Ensemble Arte Musica, Francesco Cera | E Major | 0 | 12B | 170 BPM |
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