"Messe de Requiem: I. Requiem" by André Campra, Philippe Herreweghe, La Chapelle Royale was released on August 24, 1986. Messe de Requiem: I. Requiem is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 1 out of 7 in Campra: Messe de Requiem by André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Messe de Requiem: I. Requiem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe de Requiem: I. Requiem by André Campra, Philippe Herreweghe, La Chapelle Royale is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Le carnaval de Venise: Prologue: First and Second Passepied | André Campra, Salomé Haller, Marina de Liso, Andrew Foster-Williams, Alain Buet, Mathias Vidal, Sarah Tynan, Blandine Staskiewicz, Luigi De Donato, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 129 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Nisi Dominus, RV 608: V. Sicut sagittae | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Theodora, HWV 68, Pt. I: Air. Fond, Flatt’ring World, Adieu! | George Frideric Handel, Arcangelo, Jonathan Cohen, Louise Alder | D♭ Minor | 1 | 12A | 75 BPM | ||
Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
L'Europe Galante, Deuxième entrée, l'Espagne: L'Europe Galante, Deuxième entrée "L'Espagne": Soyez constants dans vos amours (Une Musicienne) | André Campra, Les Nouveaux Caractères, Sébastien d'Hérin, Heather Newhouse | A♭ Major | 2 | 4B | 135 BPM | ||
Te Deum "de Lyon": VIII. Tu ad liberandum suscepturus hominem | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM |
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