"Sinfonia No. 1 in re maggiore (Il martirio di San Tenrenziano): II. A tempo giusto" by Antonio Caldara, Claudio Ferrarini, Accademia Farnese was released on April 15, 2022. With Sinfonia No. 1 in re maggiore (Il martirio di San Tenrenziano): II. A tempo giusto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Sinfonia No. 1 in re maggiore (Il martirio di San Tenrenziano): II. A tempo giusto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia No. 1 in re maggiore (Il martirio di San Tenrenziano): II. A tempo giusto by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": I. Andante - Allegro - Adagio - Andante - Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 0 | 6B | 59 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
Sonata No. 7 in C Major: V. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Trio Sonata in E Minor, Op. 1 No. 5: IV. Vivace | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 3 | 2A | 179 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Sedecia): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Concerto in D Major, Op. 4, No. 7: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 2 | 12B | 97 BPM | ||
Sonata No. 7 in C Major: I. Spiritoso | Francesco Mancini, Claudio Ferrarini | C Major | 4 | 8B | 111 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM |
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