Osvaldo Fresedo y su Orquesta Típica made "Mi Buenos Aires Querido" available on April 4, 1968. The duration of Mi Buenos Aires Querido is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Mi Buenos Aires Querido's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Bandoneón Amigo by Osvaldo Fresedo y su Orquesta Típica. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Mi Buenos Aires Querido is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mi Buenos Aires Querido by Osvaldo Fresedo y su Orquesta Típica is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mi Refugio | Osvaldo Fresedo y su Orquesta Típica | C Major | 5 | 8B | 114 BPM | ||
Una emocion | Ricardo Tanturi y Enrique Campos | D Minor | 4 | 7A | 124 BPM | ||
Una Lagrima Tuya | Luis Mendoza And His Argentinian Orchestra | D Major | 3 | 10B | 125 BPM | ||
Marión | Orquesta Típica Sans Souci | G Major | 3 | 9B | 123 BPM | ||
La cumparsita | Conjunto Berretin | G Major | 3 | 9B | 135 BPM | ||
Mariana | Ricardo Malerba, Orlando Medina | C Major | 4 | 8B | 103 BPM | ||
Poema | Luis Mendoza And His Argentinian Orchestra | D Major | 3 | 10B | 126 BPM | ||
Mi Buenos Aires Querida / Sollozos | Orquestra Românticos de Cuba | C Major | 4 | 8B | 114 BPM | ||
Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
Buonasera | Orquesta Típica Andariega | D Minor | 3 | 7A | 105 BPM |
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