Edward Elgar, Ashley Wass's 'Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger)' came out on September 26, 2006. The duration of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) is about 3 minutes long, at 3:25. Based on our data, "Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 25 in Elgar: Piano Music by Edward Elgar. Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) by Edward Elgar, Ashley Wass is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Nursery Suite: I. Aubade | Edward Elgar, Paul Goodwin, English Chamber Orchestra | G Major | 0 | 9B | 81 BPM | ||
Lyric Pieces, Op. 12: No. 3, Watchman's Song | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | ||
Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più lento | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 134 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM |
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