"Béatrice et Bénédict, H 138: Ouverture" by Hector Berlioz, Orchestre de Paris, Daniel Barenboim was released on January 1, 1981. Since Béatrice et Bénédict, H 138: Ouverture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Berlioz – Saint-Saëns – Dukas by Orchestre de Paris, Daniel Barenboim. In terms of popularity, Béatrice et Bénédict, H 138: Ouverture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Béatrice et Bénédict, H 138: Ouverture by Hector Berlioz, Orchestre de Paris, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Berlioz: Fugue, H. 22 | Hector Berlioz, Matthieu Baboulène-Fossey | F Major | 0 | 7B | 65 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VIII - Final. "Villes entourées" - Chanson d'étudiants. " Jam nox stellata velamina pandit" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Bryan Hymel, London Symphony Chorus, Christopher Purves | F Major | 2 | 7B | 110 BPM | ||
Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Coppelia Ballet Suite: Czardas | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | D Major | 1 | 10B | 95 BPM |
Section: 0.7266473770141602
End: 0.7300047874450684