Morning After - Charles Bernstein Information

Acousticness
39%
Danceability
24%
Energy
30%
Instrumentalness
26%
Liveness
16%
Loudness
81%
Speechiness
3%
Valence
3%
Popularity
Loudness
-11.405 dB

Summary

"Morning After" by Charles Bernstein had its release date on November 16, 1984. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wes Craven's A Nightmare on Elm Street (Original Motion Picture Soundtrack) by Charles Bernstein. The song's track number on the album is #34 out of 34 tracks. In terms of popularity, Morning After is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Morning After BPM

Since Morning After by Charles Bernstein has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Morning After being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Morning After Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records