Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena made "Convidando esta la noche" available on March 31, 2015. With this song being about 5 minutes long, at 5:22, "Convidando esta la noche" by Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Vilas, Musica Ficta, Raúl Mallavibarrena's "Musica Ficta Live in New York (Live)" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Convidando esta la noche is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Convidando esta la noche by Juan Garcia de Zespedes, Rocío de Frutos, Ana Cristina Marco, Víctor Sordo, Ariel Hernandez, Musica Ficta, Manuel Vilas, Raúl Mallavibarrena to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata di tutti musici | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 2 | 7A | 113 BPM | ||
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Convidando está la noche | Juan Garcia de Zespedes, La Compañía, Danny Lucin | F Major | 4 | 7B | 80 BPM | ||
Indianas: IV. Viento Norte | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | A Major | 2 | 11B | 157 BPM | ||
Concerto for 2 Mandolins in G Major for Strings and Continuo, RV 532: II. Andante | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Davide Rebuffa, Federico Guglielmo | E Minor | 1 | 9A | 70 BPM | ||
Sonate, arie et correnti, Op.3, RISM A/I: U 14: Aria quinta sopra la Bergamasca | Marco Uccellini, Dorothee Oberlinger, Dmitry Sinkovsky | D Major | 2 | 10B | 139 BPM |
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