"Children's Corner, CD 119: III. Serenade for the Doll" by Claude Debussy, Lívia Rév had its release date on February 1, 1995. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Children's Corner, CD 119: III. Serenade for the Doll's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 48 in Debussy: Piano Music by Claude Debussy, Lívia Rév. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Children's Corner, CD 119: III. Serenade for the Doll's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner, CD 119: III. Serenade for the Doll by Claude Debussy, Lívia Rév is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: II. Il castello vecchio "The Old Castle" | Modest Mussorgsky, Steven Osborne | A Major | 0 | 11B | 73 BPM | ||
Souvenirs, Op. 28: III. Pas de deux | Samuel Barber, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
24 Preludes, Op. 37, BV 181: No. 1 in C Major | Ferruccio Busoni, Holger Groschopp | C Major | 0 | 8B | 72 BPM | ||
Lyric Pieces, Book VII, Op. 62: No. 5, Phantom | Edvard Grieg, Andrey Gugnin | E Major | 0 | 12B | 74 BPM | ||
Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
Pictures at an Exhibition: X. The Great Gate at Kiev | Modest Mussorgsky, Blandine Waldmann | D♭ Minor | 1 | 12A | 85 BPM | ||
8 Memories in Watercolor: No. 4, Blue Nun | Tan Dun, Edward Han Jiang | A Minor | 2 | 8A | 91 BPM | ||
Return of the Waltz, Op. 50 | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
Préludes, Book 2, CD 131: IV. Les fées sont d'exquises danseuses | Claude Debussy, Lívia Rév | D Major | 0 | 10B | 67 BPM | ||
Das alte Lied (Arr. Hough) | Henry Love, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM |