"Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb: The Bomb Run - From "Dr. Strangelove"" by Laurie Johnson was released on January 1, 1980. The duration of Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb: The Bomb Run - From "Dr. Strangelove" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb: The Bomb Run - From "Dr. Strangelove"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Avengers (Original Scores)". In this album, this song's track order is #8. In terms of popularity, Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb: The Bomb Run - From "Dr. Strangelove" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb: The Bomb Run - From "Dr. Strangelove" by Laurie Johnson having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Victory at Worcester | The Kneller Hall State Trumpeters, The Regimental Band of the Coldstream Guards, Laurie Johnson | D Major | 3 | 10B | 112 BPM | ||
Meditation | Walter Wanderley | E Minor | 5 | 9A | 156 BPM | ||
The Feminine Scene | Alan Hawkshaw, Keith Mansfield | F Major | 3 | 7B | 137 BPM | ||
American Ball Game | Ronald Hanmer | B♭ Major | 4 | 6B | 137 BPM | ||
CAPTAIN KRONOS Main Titles | Laurie Johnson | A Minor | 7 | 8A | 120 BPM | ||
On the Beach - Remastered | Kapono Beamer, Hawaiian Steel Guitar | G Major | 6 | 9B | 90 BPM | ||
Off Broadway | Werner Tautz | D Major | 7 | 10B | 150 BPM | ||
Ocean Terminal | Ralph Dollimore | F Major | 6 | 7B | 149 BPM | ||
Cha Cha Nova | NDR Bigband | B♭ Major | 6 | 6B | 125 BPM | ||
The Easy Winners | New England Conservatory Ragtime Ensemble | A Major | 4 | 11B | 189 BPM |
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