"Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace, Grave" by Arcangelo Corelli, Cologne Chamber Orchestra, Helmut Muller-Bruhl was released on August 26, 1999. With Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace, Grave being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Roman Christmas: Italian Concertos and Cantatas". In this album, this song's track order is #18. Based on our statistics, Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace, Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace, Grave by Arcangelo Corelli, Cologne Chamber Orchestra, Helmut Muller-Bruhl having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 7 in D Major, Op. 6: II. Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Concerto grosso No. 4 in D Major, Op. 6: I. Adagio - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Major | 3 | 3B | 136 BPM |
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