Donald Pippin made "Donald Pippin Interview: The Pit and the Producer / Winning the Tony Award (Bonus Track)" available on August 7, 2001. The duration of Donald Pippin Interview: The Pit and the Producer / Winning the Tony Award (Bonus Track) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Donald Pippin Interview: The Pit and the Producer / Winning the Tony Award (Bonus Track)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Oliver! (Original Broadway Cast Recording)". In this album, this song's track order is #27. Donald Pippin Interview: The Pit and the Producer / Winning the Tony Award (Bonus Track) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Donald Pippin Interview: The Pit and the Producer / Winning the Tony Award (Bonus Track) by Donald Pippin having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet | Oklahoma! 1998 National Theatre Cast Recording Orchestra | A♭ Major | 2 | 4B | 85 BPM | ||
You Mustn't Kick It Around | Original Broadway Cast of 'Pal Joey' | E♭ Major | 6 | 5B | 96 BPM | ||
1776: The Egg | Sherman Edwards, Rex Everhart, William Daniels, Ken Howard, Peter Howard | C Major | 2 | 8B | 150 BPM | ||
Cabaret: What Would You Do? | John Kander, Lotte Lenya, Harold Hastings | A♭ Minor | 2 | 1A | 79 BPM | ||
Alphaville (Final) [Version remasterisée] | Paul Misraki | C Minor | 4 | 5A | 143 BPM | ||
Eleven Instrusions V: The Waterfall | Harry Partch, Bill Snead, Ben Johnston, Donald Pippin, Betty Johnston | F Major | 3 | 7B | 167 BPM | ||
The Diary of Adam and Eve: Feelings | Jerry Bock, Barbara Harris, Elliot Lawrence | C Major | 2 | 8B | 108 BPM | ||
Bewitched | Original Broadway Cast of 'Pal Joey' | D♭ Major | 2 | 3B | 85 BPM | ||
Bali Ha'i - (From the 20th Century-Fox film "South Pacific") | Bloody Mary, The Ken Darby Singers | C Major | 3 | 8B | 101 BPM | ||
I'm Going Back | Judy Holliday | F♯ Major | 2 | 2B | 117 BPM |
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