"Knight and Executioner (From "Dark Souls") [Ornstein and Smough]" by Motoi Sakuraba, Alex Roe was released on June 2, 2017. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alex Roe's "Legacy (Soulsborne Remixed)" album is number 17 out of 24. Based on our statistics, Knight and Executioner (From "Dark Souls") [Ornstein and Smough]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Knight and Executioner (From "Dark Souls") [Ornstein and Smough] by Motoi Sakuraba, Alex Roe to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daughter of the Dark God | Yasunori Nishiki | B♭ Minor | 9 | 3A | 174 BPM | ||
Tales of ARISE | Bandai Namco Game Music, Motoi Sakuraba | B♭ Major | 6 | 6B | 67 BPM | ||
Riddarar Vopnanna | Alex Roe | A♭ Major | 5 | 4B | 144 BPM | ||
Weeping Peninsula | Solas Composer | F♯ Minor | 2 | 11A | 110 BPM | ||
「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
The Deep (Hylotl Theme) | Curtis Schweitzer | D Major | 3 | 10B | 100 BPM | ||
Gaping Dragon | Motoi Sakuraba | F Major | 7 | 7B | 88 BPM | ||
The Blood Harbor Ripper | Gareth Coker, Riot Forge | D Major | 5 | 10B | 158 BPM | ||
World's End - Arch-Tempered Nergigante: The Chase | TADAYOSHI MAKINO | G Major | 6 | 9B | 87 BPM | ||
Banquet in the Snow - Lunar Terrace | Akiyuki Morimoto | A Major | 4 | 11B | 148 BPM |
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