"Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, segui i miei passi (Orfeo/Euridice)" by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra was released on 1982. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, segui i miei passi (Orfeo/Euridice) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 1 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, segui i miei passi (Orfeo/Euridice) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Vieni, segui i miei passi (Orfeo/Euridice) by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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