"October 1904: God Save The King" by Nellie Melba was released on January 1, 2000. The duration of October 1904: God Save The King is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. October 1904: God Save The King's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 80 in the song's album "Nellie Melba: The London Recordings 1904-1926". In this album, this song's track order is #8. Based on our statistics, October 1904: God Save The King's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With October 1904: God Save The King by Nellie Melba having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Otello: Ave Maria (Recorded 1910) | Giuseppe Verdi, Nellie Melba, Walter B. Rogers | E♭ Major | 1 | 5B | 80 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
Le nozze di Figaro, K. 492: Voi che sapete (Recorded 1910) | Wolfgang Amadeus Mozart, Nellie Melba, Walter B. Rogers | D♭ Major | 1 | 3B | 94 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Away On A Hill | Ronald, Simpson, Nellie Melba | F Major | 1 | 7B | 110 BPM | ||
Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
La bohème, Act III: Act III: Entrate...C'e Rodolfo? | Giacomo Puccini, John Brownlee, Frederic Collier, Edouard Cotreuil, Nellie Melba, Browning Mummery, Aurora Rettore, Orchestra of the Royal Opera House, Covent Garden, Vincenzo Bellezza | A♭ Major | 1 | 4B | 70 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM |
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