- BPM
- 96
- Key
- E Major
- Camelot
- 12B
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" - George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel Information
- Acousticness
- 89%
- Danceability
- 42%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 68%
- Speechiness
- 7%
- Valence
- 15%
- Popularity
- 2%
- Loudness
- -19.112 dB
Summary
"Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre"" by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1994. The duration of Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel's "Handel: Marian Cantatas And Arias" album is number 18 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" BPM
We consider the tempo marking of Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accompagnato:) "Sì disse la gran Madre" Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | |
 | Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | |
 | 12 Concerti grossi, Op. 6 / Concerto grosso in C minor, Op. 6, No. 8: Adagio | George Frideric Handel, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Edith Picht-Axenfeld, Horst Goebel, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 104 BPM | |
 | Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | |
![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni Mazzocchin](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb) | Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | |
 | Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | |
 | Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | |
 | Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
- ISRC
- DEF059302926
- Label
- L-M Records/RCA Records
Section: 0.668020486831665
End: 0.6729342937469482