"5 Lieder, Op. 9: 2. Die Einsame" by Hans Pfitzner, Hermann Prey, Gerald Moore was released on 2013. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolf: Mörike-Lieder / Pfitzner: Eichendorff Lieder / Richard Strauss: Lieder by Hermann Prey, Gerald Moore. The song's track number on the album is #16 out of 33 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, 5 Lieder, Op. 9: 2. Die Einsame's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Lieder, Op. 9: 2. Die Einsame by Hans Pfitzner, Hermann Prey, Gerald Moore has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 5 Lieder, Op. 9: 2. Die Einsame being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina - Musical legend in three acts / Act 2: Ein liebreich würd'ger Herr | Hans Pfitzner, Dietrich Fischer-Dieskau, Heribert Steinbach, Bavarian Radio Symphony Orchestra, Rafael Kubelik | B♭ Major | 2 | 6B | 122 BPM | ||
Piano Trio in F Major, Op. 8: III. Mässig schnell, etwas frei im Vortrag | Hans Pfitzner, Robert Schumann Trio | F♯ Major | 2 | 2B | 101 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 2 | 11B | 105 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Palestrina - Musical legend in three acts: Prelude to Act III. Langsam, sehr getragen | Hans Pfitzner, Orchester der Deutschen Oper Berlin, Christian Thielemann | E♭ Minor | 0 | 2A | 66 BPM | ||
Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 120 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM |
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