Hibari Misora made "さのさ節" available on May 29, 2012. The duration of さのさ節 is about 3 minutes long, at 3:03. Based on our data, "さのさ節" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in にっぽん歌紀行, so we believe that "さのさ節" is a single. In terms of popularity, さのさ節 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of さのさ節 by Hibari Misora is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
花嫁 | Norihiko Hashida And Climax | A Major | 6 | 11B | 124 BPM | ||
Shinkiro | Mariko Takahashi | G Minor | 8 | 6A | 122 BPM | ||
あれから (AI歌唱) - シングル・バージョン | Hibari Misora | D♭ Major | 3 | 3B | 75 BPM | ||
すこしだけ やさしく - Bonus Track | Hiroko Yakushimaru | A♭ Major | 6 | 4B | 115 BPM | ||
お久しぶりね | 小柳ルミ子 | E Minor | 7 | 9A | 130 BPM | ||
ICHIZU | Takajin Yashiki | E Minor | 4 | 9A | 142 BPM | ||
東京キッド | Hibari Misora | B♭ Major | 3 | 6B | 101 BPM | ||
帰らざる日のために | キャンディーズ | F Major | 8 | 7B | 116 BPM | ||
私は泣いています | Lily | D Minor | 3 | 7A | 140 BPM | ||
てんとう虫のサンバ | Cherish | D♭ Major | 5 | 3B | 94 BPM |
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