"Sacred Concerto No. 35, "Lord, who shall abide in thy tabernacle": I. Lord, who shall abide in thy tabernacle?" by Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky was released on October 1, 2001. The duration of Sacred Concerto No. 35, "Lord, who shall abide in thy tabernacle": I. Lord, who shall abide in thy tabernacle? is about 3 minutes long, at 3:01. Based on our data, "Sacred Concerto No. 35, "Lord, who shall abide in thy tabernacle": I. Lord, who shall abide in thy tabernacle?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 21 in Bortnyansky: Sacred Concertos, Vol. 5 by Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sacred Concerto No. 35, "Lord, who shall abide in thy tabernacle": I. Lord, who shall abide in thy tabernacle? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 35, "Lord, who shall abide in thy tabernacle": I. Lord, who shall abide in thy tabernacle? by Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quoniam Tu Illminans | The Schola Cantorum of St. Peter's in the Loop | C Major | 0 | 8B | 80 BPM | ||
Pater Noster | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: It is meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | F Major | 1 | 7B | 78 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 77 BPM | ||
Mass for Four Voices: I. Kyrie eleison | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Seraphic Whispers | LeoRoads | F♯ Minor | 1 | 11A | 80 BPM | ||
Symphony No. 3 in D Minor: III. Intermezzo. Andantino grazioso | Sergei Taneyev, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
Mass in D Major, Op. 86, B.175: II. Gloria | Antonín Dvořák, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra, State Symphony Capella of Russia | E Minor | 1 | 9A | 56 BPM | ||
Greatest Day (arr. J. Wikeley for choir) | Jason Orange, Chantage, James Davey | D♭ Major | 1 | 3B | 78 BPM | ||
The Mother Of Christ Is Help To The Helpless | Men's Choir of the Valaam Singing Culture Institute | F♯ Major | 0 | 2B | 86 BPM |
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