| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Acceptance | Andrew Hulshult | F Major | 3 | 7B | 141 BPM | ||
| You Came Back | Ockeroid | D♭ Minor | 1 | 12A | 82 BPM | ||
| Credits | Masami Ueda | G Major | 5 | 9B | 124 BPM | ||
| Time Leach | Ryan Lott | D♭ Major | 5 | 3B | 95 BPM | ||
| Descent into the Village | 佐藤奈央 | A Minor | 4 | 8A | 100 BPM | ||
| What Hate Does to a Man - FF7 Rebirth OST Ver. | Masashi Hamauzu | C Minor | 5 | 5A | 142 BPM | ||
| Forgotten Hollow - from "Dead by Daylight, Vol. 4" | Michel F. April | D♭ Major | 5 | 3B | 107 BPM | ||
| A Breath Away | 佐藤奈央 | C Major | 3 | 8B | 140 BPM | ||
| Welcome to Sevastopol | The Flight, Christian Henson | E Minor | 2 | 9A | 77 BPM | ||
| Balancing | Tai Tomisawa | B♭ Minor | 4 | 3A | 95 BPM | ||
| precious to me | 高田雅史 | F♯ Minor | 2 | 11A | 79 BPM | ||
| Claw Finger | Avith Ortega, Akira Yamaoka | B♭ Minor | 0 | 3A | 67 BPM | ||
| Basement Land | Kane Parsons, Edo Van Breemen | E Major | 2 | 12B | 68 BPM | ||
| I Am Eternal | Ted Reedy, Diablo, Blizzard Entertainment | A Major | 8 | 11B | 180 BPM | ||
| The Path | Shusaku Uchiyama | B Minor | 2 | 10A | 70 BPM | ||
| The Torrens | The Flight, Christian Henson | A♭ Major | 1 | 4B | 128 BPM | ||
| Back Up | 大本望美, 千本木操 | C Minor | 1 | 5A | 68 BPM | ||
| Purge | Ryan Lott | B♭ Minor | 9 | 3A | 160 BPM | ||
| End of the World - FF7 Rebirth OST Ver. | Masashi Hamauzu, 植松 伸夫 | E♭ Major | 2 | 5B | 81 BPM | ||
| Safe Room | Cicada Sirens | B♭ Major | 0 | 6B | 125 BPM | ||
| Coming Apart | Andrew Hulshult | D Major | 4 | 10B | 120 BPM | ||
| Meteor Falls (From "Pokémon Ruby & Sapphire") [Arr. for Orchestra by Pokestir] | Morikazu Aoki, Pokestir | F Minor | 4 | 4A | 147 BPM | ||
| The First Resonance | PearlAbyssMusic | G Minor | 2 | 6A | 89 BPM | ||
| Safe Zone | Olivier Deriviere | C Minor | 0 | 5A | 126 BPM | ||
| Heat on Beat 2015 - RAID MODE | 講本一郎 | F Major | 10 | 7B | 140 BPM |
凶光との対決 is a melancholic, mid-energy track by 大木優拓 from モンスターハンターストーリーズ2 ~破滅の翼~ オリジナル・サウンドトラック, released February 16, 2022. It runs 2:16 at 145 BPM (290 BPM double-time) in D♭ Major (Camelot 3B).
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