"The Invisible Man Returns (orch. J. Morgan): Universal Signature" by Hans J. Salter, Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg was released on January 9, 1996. With The Invisible Man Returns (orch. J. Morgan): Universal Signature being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Salter / Skinner: Monster Music". In this album, this song's track order is #10. In terms of popularity, The Invisible Man Returns (orch. J. Morgan): Universal Signature is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Invisible Man Returns (orch. J. Morgan): Universal Signature by Hans J. Salter, Frank Skinner, John Morgan, Moscow Symphony Orchestra, William Stromberg having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corrupt Music | Dany Safari | D Minor | 3 | 7A | 146 BPM | ||
Main Title | Max Steiner | E Minor | 6 | 9A | 85 BPM | ||
Transformation of Schultz / Marge Trails Bill / Marge Watches Transformation | Paramount Pictures Studio Orchestra, Hans J. Salter, Roy Webb | C Major | 1 | 8B | 138 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Major | 6 | 6B | 79 BPM | ||
Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
The Invisible Man Returns: Main Title (Orch. J. Morgan) | Frank Skinner, Hans J. Salter, Moscow Philharmonic Orchestra, William Stromberg | D♭ Major | 1 | 3B | 92 BPM | ||
Rakastava, Op. 14: III. Good Evening!... Farewell! Andantino - Doppio più lento - Lento assai | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Cycle | Jimindorothy | A♭ Major | 1 | 4B | 76 BPM | ||
Revolución diamantina, Act V: Pink glitter | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM |
Section: 0.5867681503295898
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