"Till Eulenspiegel´s lustige Streiche" by Netherlands Philharmonic Orchestra was released on August 27, 2015. Till Eulenspiegel´s lustige Streiche appears to be safe for all ages as it is not explicit. The song is number 6 out of 19 in Das beste von Richard Strauss by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Till Eulenspiegel´s lustige Streiche is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Till Eulenspiegel´s lustige Streiche by Netherlands Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Pelléas et Mélisande Suite, Op. 80: IV. La mort de melisande. Molto adagio | Gabriel Fauré, Netherlands Philharmonic Orchestra, Yakov Kreizberg | C Major | 0 | 8B | 65 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Kindertotenlieder: II. Nun seh' ich wohl. warum so dunkle Flammen | Gustav Mahler, Alice Coote, Netherlands Philharmonic Orchestra, Marc Albrecht | D Minor | 0 | 7A | 81 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Der Rosenkavalier, Op. 59, Act 3: IV. Wie die Stund’ hingeht (Octavian) | Richard Strauss, Chorus of Dutch National Opera, Alexander Vassiliev, Camilla Nylund, Jeroen de Vaal, Martin Gantner, Robert Worle, Marc Albrecht, Netherlands Philharmonic Orchestra | A Major | 2 | 11B | 111 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Netherlands Philharmonic Orchestra, Yakov Kreizberg | G Minor | 0 | 6A | 104 BPM |
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