"Marinero en tierra , Op. 27: No. 5. Gimiendo por ver el mar …" by Rodolfo Halffter, Jessica Rivera, Mark Carver was released on February 24, 2015. The duration of Marinero en tierra , Op. 27: No. 5. Gimiendo por ver el mar … is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Marinero en tierra , Op. 27: No. 5. Gimiendo por ver el mar …'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Spanish-American Songs". In this album, this song's track order is #5. Based on our statistics, Marinero en tierra , Op. 27: No. 5. Gimiendo por ver el mar …'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Marinero en tierra , Op. 27: No. 5. Gimiendo por ver el mar … by Rodolfo Halffter, Jessica Rivera, Mark Carver having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Easy Pieces, Op. 43: No. 5, Le soir | Reinhold Glière, Alton Chung Ming Chan | G Major | 0 | 9B | 107 BPM | ||
25 Études faciles et progressives, Op. 100: No. 7. Le courant limpide (By the Limpit Stream) | Franz Burgmüller, Jenő Jandó | D Major | 1 | 10B | 105 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
33 Miniatures for Piano (Excerpts): No. 30, Dolcissimo | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 73 BPM | ||
Poëme pastoral: V. Crépuscule (Arr. Hough for Piano) | Jules Massenet, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
The Seasons, Op. 37a, TH 135: No. 10, October (Autumn Song) | Pyotr Ilyich Tchaikovsky, John O'Conor | D Minor | 0 | 7A | 68 BPM | ||
Romantic Pieces, Op. 75, Allegro moderato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 1 | 6B | 137 BPM | ||
Harmonies poétiques et religieuses III, S. 173: No. 2, Ave Maria | Franz Liszt, Jenny Lin | B♭ Major | 0 | 6B | 111 BPM | ||
Four Greek Songs: III. Andante piacevole | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | B Minor | 0 | 10A | 95 BPM |
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