- BPM
- 72
- Key
- B♭ Minor
- Camelot
- 3A
Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera" - Hildegard von Bingen, Ensemble Organum, Marcel Pérès Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -26.238 dB
Summary
"Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With this song being about 5 minutes long, at 5:26, "Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 12 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera" BPM
We consider the tempo marking of Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Laudes de sainte Ursule: XII. Cantique "Benedicite omnia opera" Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Miserere: I. Miserere mei, Deus | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 76 BPM | |
 | Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | |
 | Dominus Vobiscum | The Chamber Choir Eesti Projekt | D Major | 1 | 10B | 111 BPM | |
 | Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | |
 | Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | |
 | Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | |
 | Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | |
 | Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | |
 | Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | |
 | Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM |
- ISRC
- FRZ149721120
- Label
- L-M Records/RCA Records
Section: 0.503089189529419
End: 0.5081992149353027