Carmen Fantasy, Op. 25: II. Lento assai - Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta Information

Acousticness: 89%
Danceability: 31%
Energy: 5%
Instrumentalness: 32%
Liveness: 6%
Loudness: 52%
Speechiness: 5%
Valence: 5%
Popularity: 13%
Loudness: -28.553 dB

Summary

"Carmen Fantasy, Op. 25: II. Lento assai" by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta was released on January 1, 1987. The duration of Carmen Fantasy, Op. 25: II. Lento assai is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: II. Lento assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 9 in Fantasy Concerto On The Opera "Carmen" Opus 25 by Itzhak Perlman, Zubin Mehta, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Carmen Fantasy, Op. 25: II. Lento assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen Fantasy, Op. 25: II. Lento assai BPM

The tempo marking of Carmen Fantasy, Op. 25: II. Lento assai by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Carmen Fantasy, Op. 25: II. Lento assai Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
9 Studies: No. 1. Allegro agitato	Charles-Auguste de Bériot, Bella Hristova	G Major	1	9B	129 BPM
Violin Sonata No. 22 in A Major, K. 305: I. Allegro di molto	Wolfgang Amadeus Mozart, Ray Chen	E Major	1	12B	153 BPM
Violin Concerto No. 4 in D Major, K. 218: I. Allegro	Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds	A Major	1	11B	121 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	G Major	1	9B	95 BPM
Cello Concerto No.1, Op.107: 1. Allegretto	Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich	G Minor	2	6A	126 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Romance in C Major, Op. 48	Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot	F Major	4	7B	112 BPM
String Quartet No. 2 in D Major: III. Notturno: Andante	Alexander Borodin, Budapest Haydn Quartet	A Major	1	11B	89 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM

ISRC: DEF058603443
Label: L-M Records/RCA Records

Section: 2.625220537185669

End: 2.6299331188201904