A Whitman Triptych: No. 2. What Is the Grass?
David Conte, Jonathan Thomas, Cappella SF, Ragnar Bohlin
Facing West: Choral Music of Conrad Susa & David Conte
5:21 June 10, 2016
BPM
131
Key
E♭ Major
Camelot
5B

Embed

Share Link

A Whitman Triptych: No. 2. What Is the Grass? - David Conte, Jonathan Thomas, Cappella SF, Ragnar Bohlin Information

Acousticness
99%
Danceability
18%
Energy
3%
Instrumentalness
3%
Liveness
9%
Loudness
48%
Speechiness
4%
Valence
4%
Popularity
Loudness
-31.015 dB

Summary

"A Whitman Triptych: No. 2. What Is the Grass?" by David Conte, Jonathan Thomas, Cappella SF, Ragnar Bohlin was released on June 10, 2016. With this song being about 5 minutes long, at 5:21, "A Whitman Triptych: No. 2. What Is the Grass?" by David Conte, Jonathan Thomas, Cappella SF, Ragnar Bohlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 17 in Facing West: Choral Music of Conrad Susa & David Conte by Cappella SF, Ragnar Bohlin. Based on our statistics, A Whitman Triptych: No. 2. What Is the Grass?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Whitman Triptych: No. 2. What Is the Grass? BPM

The tempo marking of A Whitman Triptych: No. 2. What Is the Grass? by David Conte, Jonathan Thomas, Cappella SF, Ragnar Bohlin is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

A Whitman Triptych: No. 2. What Is the Grass? Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem: II. Psalm 23 by Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt OllenRequiem: II. Psalm 23Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt OllenE Minor29A81 BPM
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus by Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy SummerlyMissa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. BenedictusPhilip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy SummerlyB♭ Major26B70 BPM
Nien, Geliebter, Setze Dich by Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer MillerNien, Geliebter, Setze DichGeorg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer MillerE Major012B86 BPM
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle by Robert Schumann, Aquarius, Marc Michael de SmetRomanzen, Book 1, Op. 69: No. 6. Die KapelleRobert Schumann, Aquarius, Marc Michael de SmetB Major01B83 BPM
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) by Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian RuudPeer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning)Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian RuudE Minor09A68 BPM
Shakespeare Songs, Book 1: I. Hark! hark! the lark by Matthew Harris, Phoenix Bach Choir, Charles BruffyShakespeare Songs, Book 1: I. Hark! hark! the larkMatthew Harris, Phoenix Bach Choir, Charles BruffyF Minor04A73 BPM
6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka by Jean Sibelius, Dominante Choir, Seppo Murto6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, VenematkaJean Sibelius, Dominante Choir, Seppo MurtoE Major212B105 BPM
Mass of the Americas: I. El cantico del alba by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard SparksMass of the Americas: I. El cantico del albaFrank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard SparksC Minor35A133 BPM
Corpus Christi by Gregorian Chants, Cantori GregorianiCorpus ChristiGregorian Chants, Cantori GregorianiB Major11B75 BPM
Requiem, Op. 9: IX. In paradisum by Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice KorovitchRequiem, Op. 9: IX. In paradisumMaurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice KorovitchD Major010B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8883285522460938

End: 0.8925154209136963