Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini - Carl Philipp Emanuel Bach, London Baroque Information

Acousticness: 95%
Danceability: 38%
Energy: 1%
Instrumentalness: 7%
Liveness: 9%
Loudness: 54%
Speechiness: 4%
Valence: 28%
Popularity: 15%
Loudness: -27.641 dB

Summary

Carl Philipp Emanuel Bach, London Baroque's 'Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini' came out on November 28, 2013. With this song being about 5 minutes long, at 4:34, "Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini" by Carl Philipp Emanuel Bach, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #20. Based on our statistics, Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini BPM

With Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini by Carl Philipp Emanuel Bach, London Baroque having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Trio Sonata in B-Flat Major, Wq. 158, H. 584: II. Largo con sordini Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Clarinet Trio in A Minor, Op. 114: I. Allegro	Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang	A Minor	1	8A	68 BPM
Waldszenen, Op. 82: 3. Einsame Blumen	Robert Schumann, Mitsuko Uchida	B♭ Major	0	6B	69 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio	Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans	C Major	1	8B	131 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Notturno in G Minor	Fanny Mendelssohn, Heather Schmidt	G Minor	1	6A	125 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Le roi s'amuse: Final	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Minor	1	8A	94 BPM
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 3. Rezitativ, "Judäa zittert!" (Baritone)	Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf	D Major	2	10B	167 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7068133354187012

End: 0.7114074230194092