"Lohengrin, WWV 75 / Act 1: "Nun höret mich und achtet wohl"" by Richard Wagner, Dietrich Fischer-Dieskau, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Jessye Norman, Eva Randová, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Lohengrin, WWV 75 / Act 1: "Nun höret mich und achtet wohl" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #11. Lohengrin, WWV 75 / Act 1: "Nun höret mich und achtet wohl" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lohengrin, WWV 75 / Act 1: "Nun höret mich und achtet wohl" by Richard Wagner, Dietrich Fischer-Dieskau, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Jessye Norman, Eva Randová, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | C Minor | 2 | 5A | 70 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: "Veni creator spiritus" - Live | Gustav Mahler, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, The Choral Arts Society Of Washington, Joe Miller, Scott Tucker | E♭ Major | 4 | 5B | 124 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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