"Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7" by Antonín Dvořák, Renaud Capuçon, Jerome Ducros was released on April 6, 2007. The duration of Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 is about 3 minutes long, at 3:09. Based on our data, "Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 21 in Capriccio - Works for Violin and Piano [Digital version] by Renaud Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 by Antonín Dvořák, Renaud Capuçon, Jerome Ducros is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 101 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM |
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