"Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring" by Jean Sibelius, Jari Valo and Ostrobothnian Chamber Orchestra, Juha Kangas, Ostrobothnian Chamber Orchestra was released on March 24, 2008. The duration of Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring is about 3 minutes long, at 3:22. Based on our data, "Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 40 Most Beautiful Spring Classics, so we believe that "Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring" is a single. Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sibelius: Suite for Violin and String Orchestra in D Minor, Op. 117: II. Evening in Spring by Jean Sibelius, Jari Valo and Ostrobothnian Chamber Orchestra, Juha Kangas, Ostrobothnian Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Piano Preludes: No. 2 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
6 Bagatelles for Piano, Op. 97: Lied, No. 2 | Jean Sibelius, Leif Ove Andsnes | F Major | 0 | 7B | 66 BPM |
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