Johann Sebastian Bach, Zoltán Kodály, Detlef Tewes, Boris Björn Bagger made "Prelude in C Minor, BWV 999 (arr. for mandolin and guitar)" available on January 1, 2000. The duration of Prelude in C Minor, BWV 999 (arr. for mandolin and guitar) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Prelude in C Minor, BWV 999 (arr. for mandolin and guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Romantic Mandolin Moments". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. Based on our statistics, Prelude in C Minor, BWV 999 (arr. for mandolin and guitar)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Prelude in C Minor, BWV 999 (arr. for mandolin and guitar) by Johann Sebastian Bach, Zoltán Kodály, Detlef Tewes, Boris Björn Bagger having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Bach, JS: Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Michel Dalberto, Anne Queffélec, Jacques Gauthier, Pascal Devoyon, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | A Minor | 2 | 8A | 105 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Goldberg Variations, BWV 988: Var. 27, Canone alla nona | Johann Sebastian Bach, Glenn Gould | G Major | 3 | 9B | 107 BPM |
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