Jacinto Almaden, Antonio Arenas, Aurelio Garci's 'Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered' came out on March 20, 1962. The duration of Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in El Cante de Jacinto Almadén by Jacinto Almaden. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered by Jacinto Almaden, Antonio Arenas, Aurelio Garci is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soleares de Mercedes La Serneta - Remastered | Niño de las Cabezas, Juan el Africano | D♭ Major | 0 | 3B | 95 BPM | ||
Padre Mío | Niño de Porcuna | A Major | 4 | 11B | 80 BPM | ||
Todo el Mundo Quiere Perder (Fandangos) [feat. Carmen Moreno] | Carmen Moreno | E♭ Minor | 2 | 2A | 58 BPM | ||
Llámame a un Doctor (Siguiriyas) [with. Justo de Badajoz] | Jacinto Almaden, Justo De Badajoz | C Major | 5 | 8B | 135 BPM | ||
Sevillanas No. 1 (Nada una Dama) | Manuel Escacena, Pepito Cilera | E Major | 1 | 12B | 60 BPM | ||
Lo Que Fue la Malagueña - Malagueña | Pepe Pinto | D Minor | 2 | 7A | 70 BPM | ||
A Qué Tanto Me Consientes: Malagueña (with Antonio Arenas & Aurelio Garci) - Remastered | Jacinto Almaden, Antonio Arenas, Aurelio Garci | F Major | 1 | 7B | 133 BPM | ||
Cantando mi Sufrimiento (Soleá Apolá) | Samuel Serrano | B♭ Minor | 3 | 3A | 114 BPM | ||
Serrana - Remastered | Niño de las Cabezas, Juan el Africano | D Major | 0 | 10B | 90 BPM | ||
Fandangos (Avanzado) : 1ª Letra | Lalo Tejada, Ana Real, Juan María Real, Manuel Salado | C Major | 5 | 8B | 151 BPM |
Section: 0.6923372745513916
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