"Unicamente la verdad: Scene 3: El Tigre" by Gabriela Ortiz, Nieves Navarro, Gerardo Reynoso, Jose Luis Ordoñez, José Adán Pérez, Armando Gama, John Atkins, Orchestra, José Areán, Christian Gohmer was released on April 25, 2014. Since Unicamente la verdad: Scene 3: El Tigre is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Unicamente La Verdad: La Verdadera Historia de Camelia La Texana". In this album, this song's track order is #10. Unicamente la verdad: Scene 3: El Tigre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unicamente la verdad: Scene 3: El Tigre by Gabriela Ortiz, Nieves Navarro, Gerardo Reynoso, Jose Luis Ordoñez, José Adán Pérez, Armando Gama, John Atkins, Orchestra, José Areán, Christian Gohmer having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
SDE | Favos | D Minor | 3 | 7A | 161 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
8 Morceaux caractéristiques, Op. 36: No. 6, Étincelles (Arr. J. Heifetz for Violin & Piano) | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | B♭ Major | 3 | 6B | 104 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Sonata in A Major, Op. 14: IV. Vivace | Leopoldo Miguéz, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM |
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