"Partita: II. Notturno" by Germaine Tailleferre, Cristina Ariagno, Art Nouveau Ensemble was released on January 1, 2000. The duration of Partita: II. Notturno is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Partita: II. Notturno's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tailleferre: Musique pour Piano, Harpe, Chant". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Italy. Partita: II. Notturno is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Partita: II. Notturno by Germaine Tailleferre, Cristina Ariagno, Art Nouveau Ensemble having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Adagio pour Violon et Piano | Germaine Tailleferre, Manuel Zigante, Cristina Ariagno, Massimo Marin | G Major | 0 | 9B | 177 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Sonatine pour Violon et Piano: I. Moderato | Germaine Tailleferre, Manuel Zigante, Cristina Ariagno, Massimo Marin | A Minor | 1 | 8A | 59 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |
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